Keisuke Kinoshita

Keisuke Kinoshita

Known For: Directing

Date Of Birth:1912-12-03

Place Of Birth:Shizuoka, Japan

Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director. Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the state and often had to be purely propagandistic. He refused to be bound by genre, technique, or dogma. Kinoshita excelled in almost every genre: comedy, tragedy, social dramas, period films. He shot all films on location or in a one-house set. He pursued severe photographic realism with the long take, long-shot method, and went equally far toward stylization with fast cutting, intricate wipes, tilted cameras, and even classical scroll-painting and Kabuki stage technique. Kinoshita was highly prolific, turning out some 42 films in the first 23 years of his career. For this, Kinoshita explained that he "can’t help it. Ideas for films have always just popped into my head like scraps of paper into a wastebasket." While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Although few concrete details have emerged about Kinoshita's personal life, his homosexuality was widely known in the film world. Screenwriter and frequent collaborator Yoshio Shirasaka recalls the "brilliant scene" Kinoshita made with the handsome, well-dressed assistant directors he surrounded himself with. His 1959 film Farewell to Spring (Sekishuncho) has been called "Japan's first gay film" for the emotional intensity depicted between its male characters. Kinoshita received the Order of the Rising Sun in 1984 and was awarded the Order of Culture in 1991 by the Japanese government. He died on December 30, 1998, of a stroke. His grave is in Engaku-ji in Kamakura, very near to that of his fellow Shochiku director, Yasujirō Ozu.

Images

person
person
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Castings

日本の悲劇
二十四の瞳
二十四の瞳
日本の悲劇
不死鳥
お嬢さん乾杯
カルメン故郷に帰る
大曽根家の朝
野菊の如き君なりき
歌え若人達
少年期
破戒
肖像
楢山節考
霧子の運命
夕やけ雲
女
死闘の伝説
歓呼の町
陸軍
この子を残して
この子を残して
この子を残して
風花
太陽とバラ
五人の兄妹
五人の兄妹
Otoko no iki
遠い雲
カルメン純情す
カルメン純情す
新・喜びも悲しみも幾歳月
新・喜びも悲しみも幾歳月
破れ太鼓
破れ太鼓
破れ太鼓
風前の灯
この天の虹
この天の虹
惜春鳥
父
父
海の花火
海の花火
女の園
わが恋せし乙女
わが恋せし乙女
わが恋せし乙女
善魔
善魔
生きてゐる孫六
衝動殺人 息子よ
笛吹川
笛吹川
春の夢
今日もまたかくてありなん
婚約指輪
婚約指輪
新釈四谷怪談 前篇
新釈四谷怪談 後篇
父よ母よ!
父よ母よ!
㐂びも悲しみも幾歳月
㐂びも悲しみも幾歳月
香華
香華
香華
二十四の瞳
浅草の灯
花咲く港
二人で歩いた幾春秋
二人で歩いた幾春秋
少年期
どら平太
なつかしき笛や太鼓
遠い雲
結婚
まごころ
結婚
春琴抄 お琴と佐助
婚約指輪
春の夢
恋文
笛吹川
妻の日の愛のかたみに
女
父子草
二人で歩いた幾春秋
楢山節考
流し雛
歌え若人達
スリランカの愛と別れ
風前の灯
女の園
かあちゃんしぐのいやだ
死闘の伝説
死闘の伝説
生きてゐる孫六
永遠の人
永遠の人
不死鳥
今日もまたかくてありなん
衝動殺人 息子よ
なつかしき笛や太鼓
愛と智恵の輪
カルメン故郷に帰る
どですかでん
間諜未だ死せず
スリランカの愛と別れ
惜春鳥
今年の恋
今年の恋
野菊の如き君なりき
しろばんば
風花
永遠の人
なつかしき笛や太鼓
太陽とバラ
カルメン故郷に帰る
西住戦車長伝